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34th Annual Film Series Continues with ā€˜Two Days, One Night’ Nov. 1

The Ļć½¶Šć University Film Institute’s screening series will continue its 34th year at 2 p.m. Nov. 1 with Luc and Jean-Pierre ¶Ł²¹°ł»å±š²Ō²Ō±šā€™s Two Days, One Night in the Kerr McGee Auditorium of Meinders School of Business.

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In her Oscar-nominated performance as best actress in Two Days, One Night, Marion Cotillard as Sandra has just been released from the hospital to find that she no longer has a job. According to management, the only way Sandra can hope to regain her position at the factory is to convince her co-workers to sacrifice their much-needed yearly bonuses. Now, over the course of one weekend, Sandra must confront each co-worker individually in order to win a majority of their votes before time runs out.

With Two Days, One Night, the Dardennes turned a relevant social inquiry into a powerful statement on community solidarity. Rolling Stone magazine noted: ā€œThe Dardenne brothers have created a film for its time, bristling with peril and alive to every flicker of human decency.ā€

The theme of this year’s season is based on Viktor Frankl’s classic book ā€œMan’s Search for Meaning.ā€ Harbour Winn, director of the series, said the theme is intended to help participants come to understand the purpose of suffering.

ā€œThe films in this series stress the importance of an individual’s attitude to existence,ā€ Winn said. ā€œEven when life seems restricted by external forces, we can choose the attitude with which we live and make meaning, to find value.ā€

The screening will begin at 2:00PM at the Kerr McGee Auditorium in the Meinders School of Business at NW 27th Street and McKinley Ave. A discussion will follow the presentation for those who wish to stay. Admission is free, but donations are greatly appreciated.

ACCOLADES FOR TWO DAYS, ONE NIGHT

-ā€œIn film after film the Dardennes have proven themselves the cinema's most acute humanist critics of predatory capitalism; this masterful drama finds them at the top of their game.ā€ Chicago Reader

-ā€œThe Dardennes take us into the ecosystem of need. By the time they are through, they've cut a wide swath that covers most of the issues of the working class.ā€ LA Times

-ā€œA small miracle of a movie, a drama so purely humane that it makes most attempts at audience uplift look crass and calculated by comparison.ā€ The Onion

-ā€œCotillard's performance is as fine a piece of screen acting as you will ever see.ā€ NY Times

-ā€œCotillard is magnificent, her luminous eyes reflecting a soul in crisis. The Dardenne brothers have created a film for its time, bristling with peril and alive to every flicker of human decency.ā€ Rolling Stone

-ā€œThe premise is as simple as a biblical parable, and as densely packed with significance.ā€ Wall Street Journal

-ā€œCoursing underneath the film's calm, observant surface is a fury at a system that sets people in the same leaky boat at each other's throats.ā€ Boston Globe

UPCOMING FILMS

* Jan. 24, Michelangelo Antonioni’s Blow-Up

* Feb. 7, Ritesh Batra’s The Lunchbox

* Feb. 21, Asghar Farhadi’s About Elly

* March 6, Andrey Zvyagintsev’s Leviathan

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